Loading...

Simon Mullan

'Kabelklau'
70x100x1.5 cm
Kupfernitrat Patina auf Kupfer

„Kabelkalu“ verweist auf den allgegenwärtigen Kupferdiebstahl auf Baustellen und in verlassenen Gebäuden. Ausgangspunkt ist ein Spruch aus meiner Zeit als Elektriker: „Die erste Million wird geklaut.“ Mit augenzwinkerndem Humor greift die Arbeit diese Haltung auf und überführt sie in eine künstlerische Geste. Auf eine Kupferplatte gelegte Kabel wurden erhitzt, wodurch eine chemische Reaktion entstand. Das Ergebnis ist eine Patina aus Kupfernitrat, die den Abdruck des Kabels als dauerhafte Spur bewahrt.

read more

6.000 Euro inkl. Tax

Buy / Reserve

Sending your request will get in direct contact with the artist to reserve or buy this artwork.


    The data is transmitted encrypted to our server located in Germany. Personal data will only be used by the organizer or the artist handle your request. For more information, please refer to our Privacy / Datenschutzerklärung.

    About the artist

    Simon Mullan
    Born 28 April 1981, Kiel, Germany
    Lives and works in Berlin

    Education

    University of Applied Arts, Vienna – Transmedial Art & Video

    Royal University College of Fine Art, Stockholm

    Artistic Practice
    Simon Mullan is a German conceptual artist whose multidisciplinary work spans textile, sculpture, installation, video, and performance. Rooted in his working-class background, his practice explores themes of labor, masculinity, subculture, and identity. Mullan is recognized for transforming utilitarian and industrial materials—such as bomber jackets, ceramic tiles, uniforms, and sandpaper—into abstract and monumental artworks. By deconstructing and reassembling these everyday objects, he questions their cultural symbolism while bridging the gap between fine art and craft.

    Selected Series

    Alpha Series: Quilted wall works made from deconstructed bomber jackets, investigating the garment’s cultural, political, and subcultural meanings.

    Popularis Series: Minimalist tile panels that elevate functional building materials into refined aesthetic compositions.

    Die Fläche (The Surface): Works focusing on tactility, materiality, and industrial textures.

    Selected Exhibitions

    Die Fläche, PM/AM, London

    Der Raum, Galerie Nathalie Halgand, Vienna

    Group and solo exhibitions across Berlin, London, Vienna, Stockholm, and international institutions

    Themes
    Mullan’s work consistently addresses the aesthetics of labor, the codes of masculinity, and the transformation of ordinary materials into powerful visual statements. His practice blurs boundaries between high and low culture, celebrating craftsmanship while critically reflecting on socio-economic and cultural structures.